Germany 1971-1989
Over time he turned towards more traditional verse forms to express love and pain in his personal life to illustrate human frailty and defeat, and the brutal subjection of nature by the materialistic values of modern age.
The quest for romantic love and the fight against the “committee men” turned into an awareness and appreciation of all suffering, of mankind and creation in general (see “Steel and Glass’ from “Sonnets’).
The Sonnet form, long dear to him from Shakespeare, plus the acceptance of the inevitable loss of loved ones and of ideals: these eventually tempered the fury, outrage and desperation that so often exploded form in his earlier poems.
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